Moving Out contains some fine music, especially for the time period. ©2023 ALLMUSIC, NETAKTION LLC - ALL RIGHTS RESERVED. This unmistakable melody is enveloped by Rollins and Thelonious Monk, with bassist Tommy Potter and drummer Art Taylor in support for a tune that is unlike the others in style and texture. Find information about 'worktime' listen to 'worktime' on AllMusic. The five cuts on this LP were originally recorded in New York, with Rollins mixing standards and originals and providing his take on what was then an. There's one track that features an entirely different band for some reason, as "More Than You Know" encompasses a full 11 minutes of this program, which in total is just shy of 32 minutes. Tenor saxophonist Sonny Rollins returned from a self-imposed two-year sabbatical in 1962 with a fury, recording prolifically and exploring various directions from outside to inside. Pianist Ray Bryant’s playing is also impeccable throughout. this 1955 release was Sonny Rollins’ first album as a leader since the conclusion of his first self. An all-time classic, "Solid" does have the two horns together, playing an established, bluesy unison thought, a beauty in economy, while the obligatory ballad "Silk 'n' Satin" is all Rollins wrapped in a fabric of sheen and softness. Sonny Rollins Worktime (Rudy Van Gelder Remaster) (1956/2014) FLAC (tracks) 24-bit. 7:35 Sonny Rollins The Bridge (1962) (Full Album) 40:30 Sonny rollins The bridge. The fast title track, based on the changes of "Donna Lee" or "Indiana," has the briefest melody line before Rollins leaps into eighth-note madness, while the very fleet "Swingin' for Bumsy" does the same, repeating the slimmest phrase three times. True to form, the saxman continues to make interesting choices on This Is What I Do, which was recorded in 2000 and finds a 69-year-old Rollins joined by Clifford Anderson on trombone, Stephen Scott on acoustic piano, Jack DeJohnette or Perry Wilson on drums, and long-time companion Bob Cranshaw on electric bass. It's pretty straightforward music featuring Rollins, with little involvement from Dorham except solos. Nicknamed 'Newk,' he served early apprenticeships with bop masters. His fluid and harmonically innovative ideas and easily accessible sound have influenced generations of players. Add to the mix drummer Art Blakey, bassist Percy Heath, and emerging modern jazz pianist Elmo Hope, and this shapes up to be one of the more potent combos of 1954. Sonny Rollins is the most enduring tenor saxophonist of the bebop and hard bop eras, but also one of the greatest jazz saxophonists of all time. At the time, both of them were also members of the Max Roach Quintet, and thus quite familiar with each other's strengths. It isn't exhaustive, and for Rollins fans it won't be even close to nearly enough, but it makes a fine starter kit to one of the finest tenor sax players in the history of jazz.The collaborations between Sonny Rollins and any given trumpet player were few and far between, but they did include such notables as Miles Davis, Don Cherry, Clifford Brown, and in this case, his first tandem partnership with Kenny Dorham. This varied little set makes a nice introductory primer to Rollins' peak years, drawing on sides he cut for the Blue Note, Prestige, Riverside and Contemporary imprints between 19, sessions that included work with Dizzy Gillespie, Sonny Stitt, Max Roach, Clifford Brown, Elvin Jones, Jimmy Garrison, Roy Haynes, the Modern Jazz Quartet and many others. While Rollins hasn't been as openly innovative and exploratory as players like John Coltrane, he was a definite influence on Trane as well as every other bop and post-bop sax player to come on the scene. It hasn't been a haphazard career, either. It seems amazing, really, given the casualty rate among the first wave of bop musicians, but Sonny Rollins has actually had a jazz career that stretches over a half-century and he is still active and recording in the early part of the 21st century.
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